![]() ![]() The material and arrangements on Barnett's record are an enduring part of the American musical vernacular. There's a retro vibe here, to be sure, but to dismiss the project as such would sell it short timeless is more like it. It also revives songs recorded by such Cline contemporaries as Carl Smith, Don Gibson and Ray Price. The album features a countrypolitan string section and chorus, as well as some of the best pickers from that era. Produced by Cline's mentor, the late Owen Bradley, "I've Got a Right" updates the urbane Nashville Sound patented by Bradley and Chet Atkins during the late '50s and '60s. Patsy Cline." Five years and one well-reviewed but poor-selling album later, Barnett is back with a shimmering Cline-influenced disc, "I've Got a Right to Cry" (Sire). The east Tennessee native didn't make her mark as a singer, though, until she was 18 and played the lead role in Nashville's Ryman Auditorium production of "Always. Mandy Barnett sang at the Grand Ole Opry and had a contract with Capitol Records before she turned 15. But three young singers-Mandy Barnett, Jessica Andrews and Lila McCann, who range in age from 15 to 23-just might have staying power. All but a few will prove one-hit wonders-or worse, wash out before releasing their first singles. ![]() Lately, however, young acts have come out of the woodwork as Nashville record companies have gone after a bigger piece of the youth market. ![]() In the '50s, there was Brenda Lee in the '70s, Tanya Tucker in the '90s, LeAnn Rimes-all had chart-topping singles before they were old enough to drive. Teenage prodigies aren't new to country music, but they used to come along just once every generation. ![]()
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